Archive for ซาวด์แทร็ครีวิว

Hans Zimmer – The Dark Knight Rises *Review In English*

Posted in Hans Zimmer, Soundtrack Reviews (Full Version) with tags , , , , on August 8, 2012 by zahnmimres

“Hans Zimmer seems to have topped up his bombastic part greatly but I can’t help feeling that there is something missing as James Newton Howard is not on his duty.”

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Marc Straitenfeld – Prometheus *Review In English*

Posted in Marc Streitenfeld, Soundtrack Reviews (Full Version) with tags , , , , , on June 13, 2012 by zahnmimres

“PROMETHEUS doesn’t bring me a faith in composer’s ability to manage a big score fully but it does show a bit harder effort as he tries to pull everything together.”

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Brian Tyler – Columbus Circle *Review In English*

Posted in Brian Tyler, Soundtrack Reviews (Full Version) with tags , , , , , on May 28, 2012 by zahnmimres

“Despite some average parts, COLUMBUS CIRCLE is still a delicious score that I enjoy listening to in many occasions.”

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Mark Isham – Once Upon A Time *Review In English*

Posted in Mark Isham, Soundtrack Reviews (Full Version) with tags , , , , , on May 25, 2012 by zahnmimres

“This is the score with pretty much of emotional cues to enjoy and I say it in the name of the guy who is new to the show.”

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Aaron Zigman – The Jane Austen Book Club *Review In English*

Posted in Aaron Zigman, Soundtrack Reviews (Full Version) with tags , , , , , on May 25, 2012 by zahnmimres

“It can be said that THE JANE AUSTEN BOOK CLUB has turned Aaron Zigman to be an amateurish version of Thomas Newman.”

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Thomas Newman – Angels In America

Posted in Soundtrack Reviews (Full Version), Thomas Newman with tags , , , , , , on April 11, 2012 by zahnmimres

“This score is undeniably one of Thomas Newman’s great works and spiritually a soulful score that wins over his own trademark.”

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Aaron Zigman – My Sister’s Keeper (Score)

Posted in Aaron Zigman, Soundtrack Reviews (Full Version) with tags , , , , , on April 3, 2012 by zahnmimres

“It sounds equally upright to the story but still distractingly lacking like most of Zigman’s inordinately conservative scores.”

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